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Thursday, October 8, 2026
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Game Review: Band Frontman Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a grimly amusing duel unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one important plot development, but it results in a comically executed chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game is in British and Irish cinemas from November 17.

About the author

Walter Steele

A digital anthropologist and writer passionate about exploring how technology and culture intersect in contemporary society.

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